鈴木理策『冬と春』

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 鈴木理策『冬と春』
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  Book Design:須山悠里 
  

  発行:赤々舎

  Size: H255mm ×  W192mm
  Page:68 pages
  Binding:Hardcover

  Published in June 2022
  ISBN
978-4-86541-148-5

 ※表紙は2種からお選び頂けます(中身は同一)
  You can choose from 2 different covers (the contents are the same).
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About Book


「いま見ていること」と「思い出していること」の重なり合う風景


現代日本を代表する写真家である鈴木理策の待望の新作『冬と春』は、鈴木のライフワークでもある「White」「Sakura」「Water Mirror」シリーズにおける未発表の新作を主に収録しています。

鈴木作品において特別な風景とも言いうる熊野の海のイメージで幕を開ける本作は、淡い冬の光と、流氷、波頭、雪原の白をたゆたい、春の到来を告げる桜のシークエンスを経て、春の気配を画像のすみずみに生きづかせる緑の水鏡の連作によって閉じられます。

余白を生かして配置された写真から写真に目線を移動させていると少しずつ感じられていく光線と色彩のうつろい。それは、冬から春へと間断なく流れていく時間の中で、あくまでカメラのレンズが写すことのできる世界の表層において、きわめて複雑な変化がこの世界のあちこちで生起していることに気づかせてくれます。そして鈴木理策の写真は、この「生起する瞬間」こそをとらえています。私たちがその写真を目にするたびに新鮮な驚きを感じてやまないのはこのためでしょう。決して仰々しくはない、さりげなく、控え目なかたちで表現される「驚き」のシークエンス。もちろんそれは、『冬と春』の大きな魅力であるにちがいありません。

撮影者の経験は、写真の中で見る側の記憶と溶け合う。この本はページとページのあいだを見る人に託している。(鈴木理策『冬と春』テキストより)


本作で鈴木理策は、冬から春へとうつろう時間の流れにおいて生起する風景と出会い、それをひたすら感受し、「カメラのレンズの純粋さ」に任せるように写真を撮り、配置し、見る人に差し出します。鈴木が出会った光景への応答としての写真の蓄積は、見る人の中で何を生み出すのでしょう。本書のページをめくり、目に飛び込んでくる新鮮な驚きに満ちた冬と春の写真たちが見る人の記憶をノックし、その心の中に特別な時間と風景を生み出すことを願っています。



Winter to Spring 

Risaku Suzuki


It may be that to create something is to draw 'life' out of the world. Painting, sculpture, performance, film, music, writing, and many other forms of expression all share one thing in common: they are responses to "life" that the artist encountered and was moved by.

Photographers are generally expected to show how they interpreted the scene or what meaning they found in the subject, but for me, photography is a response to the world I encountered, and my aim is for the captured scene to be remembered anew by the viewer. I do not look "to take photographs". First comes the surprise and joy of encounter in what I see, and then there is the taking of the photograph. The subject of my works is to express the purity of the camera lens.

During the COVID-19 pandemic, I avoided going out any more than necessary, and for long periods I spent day after day indoors. The days on the calendar continued to pass by, but I did not really feel it, and I was surprised how every time I went outside, there had been noticeable seasonal changes. The changes made me feel as if I were in a movie, switching between different scenes.

When you use the words "winter" and "spring," the two seasons are as seen as different things, entities that can be separated. However, the seasons are continually changing, and time moves onwards without interruption. What you can capture with photography is the state of the world at the instant you released the shutter, and the image itself does not tell us much. However, when these are arranged in sequence, they begin to connect with each other, and a space or interval begins to emerge between them. I would like to leave it to the viewer how to read the space between the lines.

Our streams of consciousness make connections between fragments. When viewing fragments, the point at which you become conscious of something is deeply embedded in your memory. It can be difficult to differentiate between what you remember seeing and what you are seeing right now, so past and present overlap. This is similar to the experience of viewing photography

Within a photograph, the photographer's experiences blend together with the viewer's memories. The space between the pages of this book is entrusted to you.

(Risaku Suzuki afterword "Winter to Spring")




Special gifts for the first customers 


先着ご購入者さまに、特典ポストカード、サイン本をお届け致します。
先着250名限定、無くなり次第終了とさせて頂きます。

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Related Exhibiton




鈴木理策 展「冬と春」


会期:2022年6月4日(土) 〜7月2日(土)
時間:12:00〜18:00
会場:タカ・イシイギャラリー(東京都港区六本木6-5-24 complex665 3F)
 
日・月・祝、休





「ジャム・セッション 石橋財団コレクション×柴田敏雄×鈴木理策 写真と絵画―セザンヌより 柴田敏雄と鈴木理策」


会期:2022年4月29日(金)〜 7月10日(日)
時間:10:00〜18:00(金曜日は20:00まで、 入館は閉館の30分前まで)
会場:アーティゾン美術館(東京都中央区京橋1-7-2)

  
月休





RS-PH_21_4-597_4-598_1_72dpi_665px.jpg



スクリーンショット 2022-06-10 17.07.54.jpg


Artist Information 



鈴木理策

1963年和歌山県生まれ、87年東京綜合写真専門学校研究科修了。98年、地理的移動と時間的推移の可視化を主題に、東京から自身の故郷への道のりと新宮の御燈祭りを撮影した写真で構成した初の写真集『KUMANO』(光琳社出版)を発表。
翌年、《Osorezan》と《Izanami》のふたつからなる『PILES OF TIME』(同)を出版し、2000年に第25回木村伊兵衛写真賞を受賞。2020年『知覚の感光板』(赤々舎)刊行。
一貫して写真のメディア性に対する関心と「見ること」への問題意識を持ち、生地・熊野をはじめ、南仏のサント・ヴィクトワール山やセザンヌのアトリエ、自然の風景、ポートレイト、水面といった様々な対象を被写体としてきた。
主な個展に「意識の流れ」(丸亀市猪熊弦一郎現代美術館ほか、香川、2015)、「水鏡」(熊野古道なかへち美術館、和歌山、2016)、「Mirror Portrait」(タカ・イシイギャラリー、東京、2016)、「熊野 雪 桜」(東京都写真美術館、2007)、「冬と春」(タカ・イシイギャラリー、東京、2022)
作品は、サンフランシスコ現代美術館、ヒューストン美術館、東京国立近代美術館、東京都写真美術館、国際交流基金などに収蔵されている。



Risaku Suzuki


1963 Born in Shingu City, Wakayama

1987 Graduate from Tokyo College of Photography Research Department

Professor, Department of Intermedia Art, Tokyo University of the Arts


Selected Solo Exhibitions


2022 Winter to Spring, Taka Ishii Gallery, Tokyo

2020 Between the Sea and the Mountain - Kumano / Between the Eye and the Mind,Nikon Plaza Shinjuku THE GALLERY 1+2,Tokyo

2018 La plaque sensible, Canon Gallery S, Tokyo

2016 Mirror Portrait, Taka Ishii Gallery, Tokyo

2016 Beyond the Realm of Time, &co119, Paris, France

2016 Between the Sea and the Mountain, Taka Ishii Gallery Photography Paris, Paris, France

2016 Stream of consciousness, Christophe Guye Galerie, Zurich, Switzerland

2016 Water Mirror, Kumanokodo Nakahechi Museum of Art, Wakayama

2016 Stream of consciousness, Tanabe City Museum of Art, Wakayama

2016 SAKURA, Kumano Shimbun Gallery, Shingu, Wakayama

2015 Water Mirror, Gallery Koyanagi, Tokyo

2015 Stream of consciousness, Tokyo Opera City Art Gallery, Tokyo

2015 Stream of consciousness, Marugame Genichiro-Inokuma Museum of Contemporary Art, Kagawa

2014 One day, in the wood, Odate, Kitaakita Arts Festival 2014, Akita

2013 Peninsula, KU REN BOH CHOHOUIN BUDDHIST TEMPLE GALLERY, Tokyo

2013 Cézanne à l'Atelier, Gallery Koyanagi, Tokyo

2011 The Words Burned, MORIOKASHOTEN, Tokyo

2011 Yuki - Sakura, Christophe Guye Galerie, Zurich, Switzerland

2010 SAKURA, Kinpusenji Temple, Nara

2009 WHITE, Gallery Koyanagi, Tokyo

2009 CONTACT, d-labo, Tokyo

2007 kumano, yuki, sakura, Tokyo Metropolitan Museum of Photography, Tokyo

2006 Sakura, Yoshii Gallery, N.Y. USA

2005 Between the Sea and the Mountain - KUMANO, Gallery Koyanagi, Tokyo

2004 Beyond the Realm of Time, Nishimura Memorial Hall, Wakayama

2003 SAKURA, Gallery Koyanagi, Tokyo

2002 Looking at the wind, Touching the mountain, Kura Kura Art Project, Ishikawa

2001 Looking at the wind, Touching the mountain, Photo Gallery International, Tokyo

2001 M.SUGAWARA, epSITE, Tokyo

2001 Risaku Suzuki, Yuki City Culture Center, Ibaraki

2000 PILES OF TIME, Minolta Photo Space, Shinjuku, Osaka, Fukuoka, Hiroshima, Nagoya, Sendai

2000 SASKIA, P.G.I. Shibaura, Tokyo

1997 IZANAMI, P.G.I Shibaura, Tokyo

1997 15:10 Osorezan, Osaka Nikon Salon, Osaka

1996 15:10 Osorezan, Ginza Nikon Salon, Tokyo

1994 TORII, Polaroid Gallery, Tokyo

1993 Double Life, Photo Gallery International, Tokyo

1992 White Sands, Photo Gallery International, Tokyo

1991 SUN CITY, Hiranagacho-bashi Gallery, Tokyo

1990 TRUE FICTION, PARCO GALLERY, Kichijoji, Tokyo


Selected Group Exhibitions


2022 JAM SESSION THE ISHIBASHI FOUNDATION COLLECTION×SHIBATA TOSHIO×SUZUKI RISAKU Photography and Painting, Artizon Museum, Tokyo

2021 Koyasan Kumano / Eriko Koga, Risaku Suzuki,FUJIFILM PHOTO SALON TOKYO,Tokyo

2017 Risaku SUZUKI/Naoki ISHIKAWA Photo Exhibition in Shiretoko "TOP END", Shari-cho Community Center Yume Hall Shiretoko, Hokkaido

2017 25th Anniversary Exhibition MIMOCA's Collection: Artworks of All Kinds!, Marugame Genichiro-Inokuma Museum of Contemporary Art, Marugame-shi, Kagawa

2016-2017 Seven Japanese Rooms-Fotograia contemporanea dal Giappone, Fondazione Crispezia, La Spezia, Italy

2016 Japanese Photography from Postwar to Now, San Francisco Museum of Modern Art, U.S.A

2016 Let it Snow, Richrad Levy Gallery, Albuquerque, NM, U.S.A

2016 Revalue Nippon Project: Hidetoshi Nakata's Favorite Japanese KOGEI, Panasonic Shiodome Museum, Tokyo

2016 Genius loci - The Higashikawa Awards -, Towada Art Center, Aomori

2015 The 15th Photo City Sagamihara, Sagamihara Civic Art Gallery, Kanagawa

2015 Regards Croisés Japon-Provence/Phot' Aix 2015,Galerie Zola de la Cité du livre, Aix en Provence, France

2014 SAMUEL BECKETT - The door is imperceptibly ajar, enpaku, The Tsubouchi Memorial Theatre Museum, Waseda University, Tokyo

2014 Rudolf Steiner Das Reich der Angeloi, WATARI-UM, Tokyo

2013 The Exhibition of Aomori Museum of Art, Art Gallery ARTIUM presented by Mitubishi-Jisho, Fukuoka

2012 Summer Show, Gallery Koyanagi, Tokyo

2011 The Collection of Aomori Museum of Art, Parco Museum, Tokyo

2008 Remembrance of Places Past,Japanese Architectural Photography from the 19th to the 21th century, Tokyo Metropolitan Teien Art Museum, Tokyo

2005 Come Ciliegi in Fiore, Museo del Risorgimento Complesso del Vittoriano, Roma, Italy

2005 36 Photographers of the Kimura Ihei Award 1975-2005, KAWASAKI CITY MUSEUM, Kanagawa

2000 The 1st Korea Japan Photo-Biennale, Silk Gallery, Embassy of Japan in Korea, Seoul, Korea

1988 15 Contemporary Photographic Expressions 12th, Annex Gallery, University of Tsukuba, Ibaraki

1987 Photography 87, Citizen's Gallery, The Setagaya Art Museum, Tokyo

1986 15 Contemporary Photographic Expressions 6th, Annex Gallery, University of Tsukuba, Ibaraki

1986 Works by Graduate Students of the TOKYO COLLEGE OF PHOTOGRAPHY, Olympus Gallery, Tokyo


Awards

2000 The Kimura Ihei Award

2006 The Higashikawa Prize, The Domestic Photographer Prize

2006 The Wakayama Prefecture Culture Award

2008 The Photographic Society of Japan Award, Annual Award

2015 The 15th Photo City Sagamihara, Professional Division Grand Prize


Public Collection

The National Museum of Modern Art, Tokyo

Tokyo Metropolitan Museum of Photography

Aomori Museum of Art

Kawasaki City Museum

Japan Foundation

Princeton University Art Museum, USA

The Museum of Fine Arts, Houston, USA

International Center of Photography, USA

Fondazione Casa di Risparimo di Modena, Italy

The San Francisco Museum of Modern Art, USA